†µ€ ßRøk€Ñ MøVíE- *t.r. copyunreleased2001

The opening scene is shot through the eyes of the principal character, the killer. He is in a car, driving through town and up and down streetsAfter having been seduced into the car with the killer, the scene changes to the killer's basement. The killer walks around the tied man, sizing up his catch. The young man has been tied to a chair and gagged with a white cloth. Surprisingly, the man does not struggle.The killer fondly touches the man, running his fingers up the man's shirt and caressing his crew-cut head. The man is turned toward a television and the killer starts the video for "Pinion" with a remote control.He pulls back the young man's head, and for the first time the viewer hears the young man protest with grunts and groans as the gasoline is forced down his throat. The camera pans back to the television and the video for "Wish" begins.During the course of the video, the movie switches back to the basement for a few moments. The young man has been chained face-up to a table. The killer is seen pulling up his pants, and the implication is that the young man has just been r*ped. The killer then takes what seems to be a piece of steel wool and scrubs around the man's mouth, perhaps either to clean him up or make the skin raw and painful.As the video ends and the scene cuts back to the basement, the camera focuses on the face of the young man, now bleeding around the mouth from the gasoline and scrubbing. The killer is seated in a chair facing the television and holding the remote control. He rewinds the video and plays it again at the point where Trent Reznor sings "...fist f*ck..." He rewinds it again to the same point as the victim watches, his eyes open in horror as he realizes what is about to be done to him. The killer rewinds the video again and, touching himself, listens once more to the words "fist f*ck." He turns off the VCR and rubs his hands together, massaging the knuckles and staring at his prone victim.The video to "Help Me I Am In Hell" starts as the viewer gets the sinking feeling that the victim is being mercilessly pounded up the *ss with the fist of the killer. The music also seems to provide an "intermission" of sorts, as the video consists of a black screen beneath which the instrumental plays (it is also the third of five videos in the movie). At the return to the movie, the victim is looking up into the face of the killer. The mouth is held open and the killer takes a pair of pliers to the teeth of the victim. Over the increasingly urgent screams and breathing of the victim, one of the front incisors is pulled to a large spurt of blood. Here the video for "Happiness In Slavery" begins, which itself is as graphic as the entire Broken movie.At the return to the killer's basement, the music for "Gave Up" begins. The killer has moved the victim and tied up his hands to the ceiling, leaving him hanging above the ground. The scene switches to the video for "Gave Up." The two scenes switch often. The black-and-white footage chronicles the eventual capture of the serial killer by police but is intercut with the movie portion, in which the killer is still torturing the victim. As the "Gave Up" video begins, the viewer is taken to the house of the killer, presumably after the serial killer has been caught or perhaps before he has been caught, while evidence is being found. The camera focuses on maggots crawling over something, and as the camera pulls away, it becomes apparent that they are on a human body part, probably a heart, sitting next to a head with a severed penis in its mouth. As the camera pulls even further away, the refrigerator they are in and the other body parts become visible.The movie kicks back in at this point, showing the killer beating the victim with a baseball bat. The killer then takes a pair of scissors and cuts the man's shirt off of him and pulls off his pants. At this point it becomes more obvious that the killer is wearing a mask. The killer then takes a straight razor and begins randomly slashing the man's writhing body. The camera focuses on a particularly deep cut as the rope tightens and jerks, throwing off dust. The killer's head pops off and is seen flying through space.



Susan broken wish